About Writing On Wednesdays: What New Writers Want to Know

This Stellarcon panel about new writers consisted of Ed Schubert, Laurel Ann Hill and Tony Ruggiero.

There are no two ways about it; Laurel Ann Hill is an eccentric lady. At various panels she showed up with a big, fuzzy Russian hat on her head and at others she had dolls. The Russian hat I understood because that one room had temperatures colder than Siberia.

The various dolls weren’t props for her books. Maybe they were a type of security blanket? She wasn’t a big talker during the panels but she did enliven the room with just her presence.

The panel didn’t discuss the obvious like butt in seat, pen to paper. Instead they offered other tidbits for us to consider such as ways to look differently at our writing. 

One panelist, Ed Schubert, suggested putting your work away for a week or two. If possible for as long as a month or two. When you go back to it, it’s fresh.

Another way to keep your work fresh is to read your work out loud. This method allows you to view the story from another perspective. It also alerts you when a sentence is awkwardly phrased.

The panel agreed if you’re a serious writer then you must go to workshops. I’m not going to lie; it’s scary. The first one I ever went to was at Stellarcon. Intimidated to say the least, I was so out of my league it wasn’t funny.

The panel was comprised of professional editors, authors and publishers ready to critique the 100 words or so that we’d just wrote. Scary stuff but our privacy was taken very seriously, at least in the workshop I was in.

It was worth the mild panic attack when I had to read what I had just written off the top of my head because I walked away with a wealth of knowledge and a surprising bit of confidence.

Save your dollars because there’s only one problem with some workshops and that’s the expense. Well known writers charge out the rear for a workshop. We are talking at least $700 and higher for two or three days.

I don’t know about you but I can’t afford that right now. Some of them do offer videos that are cheaper and the cheapest of all would be the workshops offered at various cons. They are included with the cost of the con so you might want to check out what cons are held in your surrounding areas and see if they offer a workshop. 

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About Writing on Wednesdays: What’s Your Point of View?

Ok. There is a lot more to point of view (pov) than I realized and it took the pros at Stellarcon to point it out to me.  Ed Schubert, Laurell Ann Hill, David Coe and Gray Rinehart were the panelists for this discussion at Stellarcon.

David Coe spearheaded this panel and was able to point out the ways a writer can manipulate their story with different points of view. This was a very interesting and informative discussion.

As every writer should know the point of view is the eyes, ears, thoughts and emotions through which the reader sees the action of the story at any one given time in the story.

First person is what I call the “I” books. The story is told from one pov in the character’s voice. There was some discussion as to whether this is more intimate and conveys stronger emotion. I think it is and does.

In the book All Is Quiet on the Western Front the story is told through the narrator’s eyes and because it is I think the end is devastating in a way it would not have been otherwise.

David Coe gave his opinion that first person doesn’t work well in epic fantasy although it can be done.

Second person. ‘You’. It is rarely done and everyone agreed they did not like it. Yeah, I’m not sure how it could be done without sounding accusatory. The panelists did not have any examples of that. Does anyone else?

Third person. Personal pronouns such as ‘he’ or ‘she’ are used. Everyone agreed this pov adds tension to the story. It is the most used pov and the most popular.

Omniscient. Tells the story from the distance. There was general agreement that this pov is hard to do in today’s market. Readers want the writing to be up close and personal.

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Curio’s Past, Shhh.